A tu vera (de la película "El balcón de la luna") Skip to main content

_

Notes from Underground

  And, indeed, I will ask on my own account here, an idle question: which is better—cheap happiness or exalted sufferings? Well, which is better?---Fyodor Dostoevsky ---Notes from Underground Fyodor Dostoevsky ---Notes from Underground Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn’t I better end my “Notes” here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I’ve been writing this story; so it’s hardly literature so much as a corrective punishment.  Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are...
Read more

Hope

To be human is to be a miracle of evolution conscious of its own miraculousness — a consciousness beautiful and bittersweet, for we have paid for it with a parallel awareness not only of our fundamental improbability but of our staggering fragility, of how physiologically precarious our survival is and how psychologically vulnerable our sanity. To make that awareness bearable, we have evolved a singular faculty that might just be the crowning miracle of our consciousness: hope.-- Erich Fromm


Labels

A tu vera (de la película "El balcón de la luna")

 



Lola Flores, a native of Jerez de la Frontera (Cádiz) was an icon of traditional Andalusian folklore, recognized throughout Spain as well as internationally. >>>












Lola Flores—affectionately known as "La Faraona" (The Pharaoh)—was an absolute force of nature in Spanish culture. She wasn't just a singer, dancer, or actress; she was a cultural icon whose fierce, uncontained energy came to define the public image of flamenco and folklore in Spain for over half a century.

A famous, possibly apocryphal New York Times review from her tour in the 1950s captured her perfectly: "She doesn't sing, she doesn't dance, don't miss her." It spoke to the fact that her genius lay beyond technical precision—it was about an overwhelming, magnetic stage presence (duende).

The Pillars of Her Legacy

  • The Powerhouse Performer: Born in Jerez de la Frontera in 1923, she grew up surrounded by flamenco culture. She popularized styles like copla (a traditional poetic Spanish song form) and rumba, bringing a wild, temperamental intensity to the screen and stage.

  • The Cinematic Icon: Between the 1940s and 1960s, she starred in dozens of musical films in Spain and Mexico (such as Morena Clara and María de la Ó), often alongside her frequent artistic partner and lover, Manolo Caracol, and later with her husband, the talented guitarist Antonio González "El Pescaílla".

  • A Matriarch of Art: Her legacy became a literal dynasty. Her children—Lolita, Antonio, and Rosario Flores—all became prominent musicians and actors, cementing the Flores name as synonymous with Spanish artistic passion.

Her expressive performance style, featuring dramatic, intense gestures and direct gaze, broke through traditional performance constraints, transforming her into a timeless symbol of uninhibited passion.


Labels: