And, indeed, I will ask on my own account here, an idle question: which is better—cheap happiness or exalted sufferings? Well, which is better?---Fyodor Dostoevsky ---Notes from Underground There are certain people of whom it is difficult to say anything which will at once throw them into relief—in other words, describe them graphically in their typical characteristics. These are they who are generally known as “commonplace people,” and this class comprises, of course, the immense majority of mankind. Authors, as a rule, attempt to select and portray types rarely met with in their entirety, but these types are nevertheless more real than real life itself. For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine—. I think such an individual really does become a type o...
NOTES FROM UNDERGROUND
Hope
To be human is to be a miracle of evolution conscious of its own miraculousness — a consciousness beautiful and bittersweet, for we have paid for it with a parallel awareness not only of our fundamental improbability but of our staggering fragility, of how physiologically precarious our survival is and how psychologically vulnerable our sanity. To make that awareness bearable, we have evolved a singular faculty that might just be the crowning miracle of our consciousness: hope.--
Erich Fromm
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TOUCHING THE VOID (2003)
It didn't work out that way. Snowstorms slowed and blinded them. The ascent was doable, but on the way down, the storms disoriented them and the drifts concealed the hazard of hidden crevices and falls. Roped together, they worked with one man always anchored, and so Yates was able to hold the rope when Simpson had a sudden fall. But it was disastrous: He broke his leg, driving the calf bone up through the knee socket. Both of them knew that a broken leg on a two-man climb, with rescue impossible, was a death sentence, and indeed Simpson tells us he was rather surprised that Yates decided to stay with him and try to get him down.
For someone who fervently believes he will never climb a mountain, I spend an unreasonable amount of time thinking about mountain-climbing. In my dreams my rope has come lose and I am falling, falling, and all the way down I am screaming: "Stupid! You're so stupid! You climbed all the way up there just so you could fall back down!"
Now there is a movie more frightening than my nightmares. "Touching the Void" is the most harrowing movie about mountain climbing I have seen, or can imagine. I've read reviews from critics who were only moderately stirred by the film (my friend Dave Kehr certainly kept his composure), and I must conclude that their dreams are not haunted as mine are.
"I didn't take a single note during this film. I simply sat there before the screen, enthralled, fascinated and terrified. Not for me the discussions about the utility of the "pseudo-documentary format," or questions about how the camera happened to be waiting at the bottom of the crevice when Simpson fell in. "Touching the Void" was, for me, more of a horror film than any actual horror film could ever be."
This film is an unforgettable experience, directed by Kevin Macdonald (who made "One Day In September," the Oscar-winner about the 1972 Olympiad) with a kind of brutal directness and simplicity that never tries to add suspense or drama (none is needed!) but simply tells the story, as we look on in disbelief.
Roger Ebert
The Beckoning Silence