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Notes from Underground

  And, indeed, I will ask on my own account here, an idle question: which is better—cheap happiness or exalted sufferings? Well, which is better?---Fyodor Dostoevsky ---Notes from Underground Fyodor Dostoevsky ---Notes from Underground Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn’t I better end my “Notes” here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I’ve been writing this story; so it’s hardly literature so much as a corrective punishment.  Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are...

Hope

To be human is to be a miracle of evolution conscious of its own miraculousness — a consciousness beautiful and bittersweet, for we have paid for it with a parallel awareness not only of our fundamental improbability but of our staggering fragility, of how physiologically precarious our survival is and how psychologically vulnerable our sanity. To make that awareness bearable, we have evolved a singular faculty that might just be the crowning miracle of our consciousness: hope.-- Erich Fromm


LE VENT NOUS PORTERA

 



Je n'ai pas peur de la route
Faudrait voir, faut qu'on y goûte
Des méandres au creux des reins
Et tout ira bien là
Le vent nous portera
Ton message à la Grande Ourse
Et la trajectoire de la course
Un instantané de velours
Même s'il ne sert à rien va
Le vent l'emportera
Tout disparaîtra mais
Le vent nous portera
La caresse et la mitraille
Et cette plaie qui nous tiraille
Le palais des autres jours
D'hier et demain
Le vent les portera
Génétique en bandoulière
Des chromosomes dans l'atmosphère
Des taxis pour les galaxies
Et mon tapis volant, dis?
Le vent l'emportera
Tout disparaîtra mais
Le vent nous portera
Ce parfum de nos années mortes
Ce qui peut frapper à ta porte
Infinité de destins
On en pose un et qu'est-ce qu'on en retient?
Le vent l'emportera
Pendant que la marée monte
Et que chacun refait ses comptes
J'emmène au creux de mon ombre
Des poussières de toi
Le vent les portera
Tout disparaîtra mais
Le vent nous portera





Noir Désir was a seminal French alternative rock band formed in Bordeaux in 1980. Known for their powerful, politically charged lyrics, post-punk energy, and poetic sensibility, they became one of the most influential and commercially successful rock acts in French music history.



Key Members

  • Bertrand Cantat – Lead vocals, rhythm guitar

  • Serge Teyssot-Gay – Lead guitar, backing vocals

  • Denis Barthe – Drums, backing vocals

  • Frédéric Vidalenc (1980–1996) / Jean-Paul Roy (1996–2010) – Bass

Musical Style & Legacy

Drawing inspiration from Anglo-American post-punk, garage rock, and classic literature, Noir Désir bridged the gap between underground alternative grit and mainstream stadium appeal. Frontman Bertrand Cantat's intense, charismatic stage presence and husky vocal delivery became a defining signature of the band.

Over a career spanning three decades, they released six core studio albums that charted the evolution of French rock:

  • Où veux-tu qu'je r'garde ? (1987)

  • Veuillez rendre l'âme (à qui elle appartient) (1989) — featuring their breakout hit "Aux sombres héros de l'amer"

  • Du ciment sous les plaines (1991)

  • Tostaky (1992) — a critically acclaimed, harder alternative-rock record

  • 666.667 Club (1996) — featuring hits like "Un jour en France" and "À ton étoile"

  • Des visages, des figures (2001) — their final, highly polished masterpiece which included the iconic, melancholic smash hit "Le vent nous portera"

Dissolution

The band's trajectory came to an abrupt halt in 2003 when frontman Bertrand Cantat was arrested and subsequently convicted for the manslaughter of his partner, actress Marie Trintignant, in Vilnius, Lithuania. Cantat was sentenced to prison and was later released on parole in 2007.

Though brief attempts at a reunion were floated following Cantat's release, internal tensions led guitarist Serge Teyssot-Gay to officially quit the group in November 2010, prompting the definitive breakup of Noir Désir.