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Notes from Underground

  And, indeed, I will ask on my own account here, an idle question: which is better—cheap happiness or exalted sufferings? Well, which is better?---Fyodor Dostoevsky ---Notes from Underground Fyodor Dostoevsky ---Notes from Underground Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn’t I better end my “Notes” here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I’ve been writing this story; so it’s hardly literature so much as a corrective punishment.  Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are...

Hope

To be human is to be a miracle of evolution conscious of its own miraculousness — a consciousness beautiful and bittersweet, for we have paid for it with a parallel awareness not only of our fundamental improbability but of our staggering fragility, of how physiologically precarious our survival is and how psychologically vulnerable our sanity. To make that awareness bearable, we have evolved a singular faculty that might just be the crowning miracle of our consciousness: hope.-- Erich Fromm


Roadrunner: A Film About Anthony Bourdain

 


Bourdain had been “a mediocre chef in a middling restaurant” – his words – when his memoir Kitchen Confidential shot up the book charts. At the time, food was the new rock’n’roll, and Bourdain was like a cross between Iggy Pop and William Burroughs – a bad-boy former drug addict with a dry, laconic wit. At 43, he had thought all his adventures were behind him. Instead, Bourdain landed a TV show – A Cook’s Tour, later Anthony Bourdain: No Reservations – which took him around the world.

In 2019, about a year after Bourdain’s death, the documentary filmmaker Morgan Neville began talking to people who had been close to Bourdain: his family, his friends, the producers and crew of his television series. “These were the hardest interviews I’ve ever done, hands down,” he told me. “I was the grief counsellor, who showed up to talk to everybody.” Neville specializes in unknotting the real story from the public narrative (in 2014, he won an Academy Award for the documentary “20 Feet from Stardom,”
 about the lives of rock-and-roll backup singers), and his filmography reveals a particular penchant for examining the lives of men who transcend the normal parameters of fame: Johnny Cash, Orson Welles, Mr. Rogers.

Roadrunner” begins where Bourdain’s life as a public figure begins: it’s 1999, he’s a forty-three-year-old undecorated cook and aspiring writer, and his big break—the bombastic New Yorker essay “Don’t Eat Before Reading This”—has become the basis for a book, “Kitchen Confidential,” that’s about to go off like a star in supernova. We see him head off on his first book tour, encounter early fans, and learn in real time that the book is a best-seller; despite being solidly in middle age, Bourdain fidgets on the cusp of fame with the gawky, awestruck charisma of a teen-ager. When Neville uncovered the footage, which was shot by the photographer Dmitri Kasterine, for a documentary that was never released, it felt like kicking off the lock on a treasure chest. “It’s like the last vestiges of his old life,” Neville said. Bourdain was “given everything he always wanted: money, and a chance to travel, and freedom,” he continued. “Does that find him happiness? Of course, it doesn’t, because happiness doesn’t come from external things.”




Neville never met Bourdain, which he told me he regrets on a personal level but considers advantageous as a filmmaker. He described his initial talks with Bourdain’s inner circle—his literary agent, his ex-wife, his producers—about the possibility of a film, in 2019. “At the beginning of the conversation, I was saying that what I thought was so important about Tony’s work was that he was dimensionalizing people, that he brings us together and shows the commonalities of the world, blah, blah, blah,” he said. “And they stopped me, at a certain point, to say ‘Yeah, but you have to remember, he could be such an asshole.’ A thing I really came to understand while creating this film is that all the things that were his flaws were also his superpowers. He could be such a fifteen-year-old boy in so many ways. Most people figure out ways to put boundaries in their life, to say, ‘O.K., well, creatively, I can be out there on the edge. But, in my home life, I can’t do this.’ There were no boundaries with him whatsoever.”

Roadrunner” proceeds in a relatively chronological fashion, but the inevitable fact of Bourdain’s death casts a pall from the beginning. The interviews with his friends, family, and colleagues are intimate and often angry. “Some people said they had never talked to anybody about their feelings about Tony, because it’s hard to be given permission to really talk about everything you feel about somebody,” Neville said. “I saw all the stages of grief.” On camera, Bourdain’s loved ones discuss his obsessiveness, his perfectionism, the feverish drive that made him a great writer and a great television star but also a difficult husband and a difficult friend. They gently probe the idea that Bourdain may have been asking for help, or maybe trying to figure out how to begin to ask. His ex-wife Ottavia Busia mentions that Bourdain had started therapy just a short time before he died.


Bourdain says at one point that the greatest sin is mediocrity – a little of that creeps into the film perhaps. Not that Bourdain would have cared. He professed not to give a hoot what happened to him after death: “Throw me into the woodchipper and spray me into Harrods in the rush hour



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The Core Pillars of His Legacy

1. The Raw Literary Voice

Before the television shows, Bourdain was a writer. His breakthrough memoir, Kitchen Confidential (2000), blew open the doors of the culinary underworld. Written with a frantic, rock-and-roll energy and a heavy dose of gonzo journalism, it treated the line cook not as a glamorous artist, but as a high-stakes kinetic worker surviving on adrenaline, dark humor, and camaraderie. He possessed a rare ability to blend gritty realism with deep, romantic humanism.

2. Travel as an Act of Empathy

For Bourdain, food was never the end goal—it was the currency of entry. Whether he was in a high-end sushi bar in Tokyo or sharing a bowl of noodles with Barack Obama in Hanoi, his objective remained constant: to find out what makes people happy, what they care about, and how they live.

  • No Obsequiousness: He famously refused to sanitize or romanticize the places he visited.

  • Context Over Cuisine: If an episode took place in a region marked by war, political strife, or poverty, he leaned heavily into that reality rather than ignoring it for the sake of the plate.

3. Chronicler of the Margins

Bourdain held an immense, unwavering respect for the unseen backbone of the restaurant world—particularly undocumented immigrant cooks and dishwashers. He used his immense platform to advocate for marginalized communities, calling out industry exploitation and challenging Western audiences to dismantle their preconceived notions of "exotic" cultures.

"Travel changes you. As you move through this life and this world you change things slightly, you leave marks behind, however small. And in return, life — and travel — leaves marks on you." — Anthony Bourdain, The Nasty Bits







The Last, Painful Days of Anthony Bourdain

A new, unauthorized biography reveals intimate, often raw, details of the TV star’s life, including his tumultuous relationship with the Italian actor Asia Argento. And it’s drawing criticism from many of his friends and family.




That silence continued until 2021, when many in his inner circle were interviewed for the documentary “Roadrunner: A Film About Anthony Bourdain” and for “Bourdain: The Definitive Oral Biography.” The two works showed a more complex side of Mr. Bourdain, who had become increasingly conflicted about his success and had in his last two years made his relationship with the Italian actor Asia Argento his primary focus. But neither directly addressed how very messy his life had become in the months that led up to the night he hanged himself at age 61.

On Oct. 11, Simon & Schuster will publish what it calls the first unauthorized biography of the writer and travel documentarian. “Down and Out in Paradise: The Life of Anthony Bourdain” is filled with fresh, intimate details, including raw, anguished texts from the days before Mr. Bourdain’s death, such as his final exchanges with Ms. Argento and Ottavia Busia-Bourdain, his wife of 11 years who, by the time they separated in 2016, had become his confidant

“I hate my fans, too. I hate being famous. I hate my job,” Mr. Bourdain wrote to Ms. Busia-Bourdain in one of their near-daily text exchanges. “I am lonely and living in constant uncertainty.”





SCARLET DIVA 

Director Asia Argento.  

A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.


Anthony Bourdain’s relationship with Italian actress and director Asia Argento was one of the most intense, highly publicized, and ultimately scrutinized chapters of his final years. Dating from 2016 until his death in 2018, their bond profoundly shifted both his personal worldview and his public advocacy.

A Creative and Romantic Spark

The pair met in 2016 while filming the Rome episode for season 8 of Parts Unknown. Bourdain was captivated by Argento's fierce artistry, cinematic background, and uncompromising personality. Their relationship quickly evolved into a whirlwind romance and creative partnership. Bourdain valued her perspective so highly that he brought her into the production of his show, even having her direct the visually striking Hong Kong episode in season 11.

Alignment with the #MeToo Movement

When Argento became a leading figure in the #MeToo movement after coming forward with allegations against Harvey Weinstein, Bourdain threw his full, public weight behind her. Her experiences fundamentally altered his perspective on the culinary industry and systemic abuse, leading him to become an outspoken, fierce advocate for accountability, safety, and respect for women in both Hollywood and the restaurant world. He frequently noted that listening to her story made him look back on his own past blind spots with a sharper lens.

Turbulence and Media Scrutiny

While publicly presenting a unified front, their relationship was marked by immense intensity and emotional volatility behind the scenes. Because Bourdain traveled upwards of 250 days a year for work, the couple navigated a complex, long-distance dynamic.

In the days leading up to his suicide in June 2018, the relationship faced acute strain, compounded by heavy media attention after paparazzi photographed Argento with a French journalist in Rome. Intimate text exchanges published in later unauthorized biographies revealed that the two were arguing intensely over the status of their relationship and his exhaustion just before his death.

Following his passing, Argento expressed immense grief, calling Bourdain her "love" and "protector". She later pushed back against public narratives blaming her for his death, noting that they were grown adults who had a flexible understanding regarding their time apart, while sharing her enduring pain and guilt over not realizing the true depth of his internal struggles


Suicide

Reducing a suicide to a single cause—or a single person—is something forensic psychologists and biographers universally warn against. While it is a natural human impulse to look for a clear-cut explanation or a villain in a tragedy this immense, Anthony Bourdain’s death was the result of a complex, multi-layered spiral rather than any one individual’s actions.

That said, his tumultuous relationship with Asia Argento was undeniably the immediate emotional catalyst for his final crisis.

The intersection of his relationship and his final days breaks down into two distinct layers: the immediate trigger and the long-term vulnerability.

The Immediate Trigger: Romantic Despair

In June 2018, Bourdain was in France filming an episode of Parts Unknown. He was already in an emotionally fragile state when tabloids published photos of Argento in Rome with a French journalist. According to records from his phone and laptop published in Charles Leerhsen's biography Down and Out in Paradise, Bourdain spent his final days obsessively tracking the media coverage, devastated and frantic to fix the relationship.

He texted her, writing: "I am not spiteful. I am not jealous that you have been with another man... But you were careless. You were reckless with my heart. My life."

In their final text exchange hours before his death, he asked her: "Is there anything I can do?" Argento replied: "Stop busting my balls." Bourdain wrote back: "OK." He took his life later that night.

The Deeper Undercurrents: Total Exhaustion and Disillusionment

While that argument was the flashpoint, pinning his death entirely on Argento ignores a massive, dark reality Bourdain had been carrying for years:

  • Severe Exhaustion: Bourdain was traveling upwards of 250 days a year. At 61 years old, he was physically spent and leaning heavily on alcohol and various substances just to maintain his grueling production schedule.

  • Hatred of Fame: He felt deeply alienated by the celebrity persona he had created. Shortly before his death, he sent a text to his ex-wife and close confidante, Ottavia Busia-Bourdain, that laid bare his internal state: "I hate my fans, too. I hate being famous. I hate my job. I am lonely and living in constant uncertainty."

  • A Lifelong Battle with Darkness: Bourdain had a well-documented history of severe depression, an impulsive personality, and past heavy drug addiction. He had spent a lifetime navigating deep internal voids.