And, indeed, I will ask on my own account here, an idle question: which is better—cheap happiness or exalted sufferings? Well, which is better?---Fyodor Dostoevsky ---Notes from Underground There are certain people of whom it is difficult to say anything which will at once throw them into relief—in other words, describe them graphically in their typical characteristics. These are they who are generally known as “commonplace people,” and this class comprises, of course, the immense majority of mankind. Authors, as a rule, attempt to select and portray types rarely met with in their entirety, but these types are nevertheless more real than real life itself. For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine—. I think such an individual really does become a type of hi
NOTES FROM UNDERGROUND
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LA Revolution Collection
MARTIN PARR’S ‘PROTEST BOX’ PUTS THINGS INTO PERSPECTIVE
Martin Par
http://www.martinparr.com/Martin Parr, astute photographic historian decided to reprint five photo books that depict various protest movements from throughout the 60s and 70s. The resulting compendium is The Protest Box (Steidl).
The five books cover uprisings throughout Latin America, Japan, Algeria, and Italy, and they slide effortlessly into a utilitarian slipcase that looks like it could’ve fallen off the back of an army truck.
These photos are from the 1970 book América: Un Viaje a Través de la Injustica, by Mexican photographer Enrique Bostelmann. Like Gasparini, Bostelmann traveled the continent looking for injustice and highlighted the contrast between capitalism and communism.
These images from Kitai Kazou’s Sanrizuka capture the anger that developed in postwar Japan
In 1960 German photographer Dirk Alvermann published Algerien, from which these photos are taken.
La Revolution Collection: Spanish civil war >>>
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