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Notes from Underground

  And, indeed, I will ask on my own account here, an idle question: which is better—cheap happiness or exalted sufferings? Well, which is better?---Fyodor Dostoevsky ---Notes from Underground Fyodor Dostoevsky ---Notes from Underground Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn’t I better end my “Notes” here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I’ve been writing this story; so it’s hardly literature so much as a corrective punishment.  Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are...

Hope

To be human is to be a miracle of evolution conscious of its own miraculousness — a consciousness beautiful and bittersweet, for we have paid for it with a parallel awareness not only of our fundamental improbability but of our staggering fragility, of how physiologically precarious our survival is and how psychologically vulnerable our sanity. To make that awareness bearable, we have evolved a singular faculty that might just be the crowning miracle of our consciousness: hope.-- Erich Fromm


Alongside being adept in the art of war, the samurai became conversant with the refined arts of painting, poetry, music performance, theatre and tea ceremonies

LA Revolution Collection





MARTIN PARR’S ‘PROTEST BOX’ PUTS THINGS INTO PERSPECTIVE

Martin Par 
http://www.martinparr.com/

Martin Parr, astute photographic historian  decided  to reprint five photo books that depict various protest movements from throughout the 60s and 70s. The resulting compendium is The Protest Box (Steidl).

The five books cover uprisings throughout Latin America, Japan, Algeria, and Italy, and they slide effortlessly into a utilitarian slipcase that looks like it could’ve fallen off the back of an army truck. 


These photos are from the 1970 book América: Un Viaje a Través de la Injustica, by Mexican photographer Enrique Bostelmann. Like Gasparini, Bostelmann traveled the continent looking for injustice and highlighted the contrast between capitalism and communism.
























These images from Kitai Kazou’s Sanrizuka capture the anger that developed in postwar Japan



























In 1960 German photographer Dirk Alvermann published Algerien, from which these photos are taken.



















La Revolution Collection: Spanish civil war >>>


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