Buena Vista Social Club (1999)

 




With a small film crew, Wim Wenders accompanied his old friend Ry Cooder, who had previously written the music for PARIS, TEXAS and END OF VIOLENCE, on a trip to Havana. Cooder wanted to record his material for Ibrahim Ferrer’s solo album at a studio there—following the first “Buena Vista Social Club” CD (which had not yet been released at that time). Wenders immersed himself in the world of Cuban music. Over the course of several months, he observed and accompanied the musicians—first at home in Havana and then, weeks later, in April 1998, on their trip to Amsterdam for the first public performance of the band (who had never played together outside a studio) and then, still later, in July 1998, to their triumphal concert in New York’s Carnegie Hall.

He followed the old heroes of the traditional Cuban Son music on their path from being completely forgotten to becoming world famous—within the period of just a few months. “I thought, I’ll shoot a documentary,” Wenders said, “and here we were, about to witness a fairy tale that no one could have imagined in this form.”

The music documentary became a cinematic sensation and an international success. Along with an Academy Award nomination for the best documentary film, BUENA VISTA SOCIAL CLUB won this category of the European Film Awards, the German Film Prize in Gold, Germany’s Golden Camera and the Grand Prize for Film in Brazil as well as numerous other awards.

























Buena Vista Social Club

Album by Buena Vista Social Club

Description

Buena Vista Social Club is the debut album by the eponymous ensemble of Cuban musicians directed by Juan de Marcos González and American guitarist Ry Cooder. It was recorded at Havana's EGREM studios in March 1996 and released on September 16, 1997, on World Circuit. Wikipedia
Release dateSeptember 16, 1997
GenresMusic of Cuba, World music, Son cubano, Music of Latin America, Bolero, Guajira, Danzón, Descarga, Criolla

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